My wife says, “your gear is good to you but you are not good to your gear”. Sadly she is right. I have had a very tumultuous relationship with my gear for years. I have gone from using minimal gear as a newspaper photographer to a ton of gear as a wedding photographer now back to minimal gear. I have been known to be a bit rough on my gear as well. I have almost perfected the perfectly timed foot extension to cushion the fall of a falling lens.
Almost. So when asked to be a part of Shotkit I felt it only appropriate to photograph my gear how it looks before every wedding I shoot, in a pile on the table of our studio. I am not sure why my relationship with my gear is what it is, as I am actually quite anal in other parts of my life.
My pure documentary style of shooting demands I am not overly worried or sensitive about my gear. I could not even tell you where my lens caps are right now. What is most important is capturing fleeting moments and that requires total concentration. So I can’t let a bump on the floor or slap on a door frame slow me down. In the end getting the photo is what is most important.
My first photo I shot was with my dad’s Canon FTB when I was about 8 or 9 years old and I still shoot Canon to this day. Even though I bring a backpack with me to every wedding, with a few extra lenses as well as a flash or two, what I actually use for each wedding is much more condensed. I prefer to travel as light as possible for the majority of the day. It not only helps me physically but also mentally.
For the majority of a wedding day I am shooting with two cameras and two lenses. My Canon 5D MKIII usually has a Canon 35mm f/1.4 on it and my old school Canon EOS 1D MKII has the Canon 85mm f/1.8 on it. I love that old camera as it is a total workhorse and really handles flash exposure balancing well.
Only a few hours left to claim!!
I walk into a wedding with those two cameras and lenses on my shoulders and my memory cards in a wallet on my belt and shoot pretty much like that till the reception where I then use a combo of on-camera and off- camera flash as well as video light to obtain the appropriate look for the mood of the moment.
My main kit I use:
Other lenses I use sparingly throughout the day:
Off-camera lighting equipment:
Cheetah Light V850 manual flash with Magmod modifier and wireless transmitter/ receiver set
Phottix Strato II remote flash triggers Sunpack Ready light 20 video light Canon ST-E2- used as a focus assist beam in low light
When I need to carry more than two lenses I use the Think Tank Modular Skin set with pro speed belt usually worn at the reception.