Andrew Quilty

Photojournalism | Last Updated: April 4, 2024

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I’m an Australian-born photojournalist based in Kabul, Afghanistan. I cut my teeth working as a staff photographer for the Fairfax Media group in Sydney, and there, not really knowing what direction I wanted to take, met many of the photographers who inspired me to take the path I ultimately chose.

I freelanced for a couple of years out of Sydney after leaving Fairfax and began to take on more commissions from International publications, including The New York Times and TIME Magazine.

In 2012 I moved myself to New York City and joined the rat race of a million photographers scrapping for any bit of photography work that was going. One highlight was covering Hurricane Sandy for TIME Magazine on Instagram.

In late 2013, realising that just because I wanted to work for the publications that were based in New York, didn’t mean I need to live there, I travelled to the Middle East for the first time and on to Afghanistan.

Long-story-short, I stayed, and have more or less been there since, with a handful of trips to northern Iraq, Turkey and Syria in between. It’s been a complete awakening for me and my work.

It’s as if I’m starting from scratch and everything that came before Afghanistan was practice for this. There’s no such thing as a trivial story here. Every time I’m commissioned, I feel 100% invested in the subject.

And adding to that is the fact that I also get to work for all those publications that I thought I had to be in New York for – The New York Times, The Washington Post, TIME, Harpers, Foreign Policy and a bunch of others.

So, my kit. I’m very much a believer in photography as a form of communication rather than as an expensive hobby on which to spend ridiculous amounts of money on stuff you really don’t need. I often feel that many photographers are more into camera equipment than what they’re actually photographing, which for me, is what’s important.

So I keep my kit pretty paired down. I avoid anything that slows me down or complicates things – tripods and flashes and anything that doesn’t fit into a small shoulder bag are easy to do away with.

Camera-wise, if I’m travelling on an assignment of a few days out of Kabul I’ll take two Canon 5D MkIIIs, a Canon 35mm f/1.4 and a Canon 24mm f/1.4. I’ll use the 35mm 90% of the time but like to take the wider lens for close quarter’s purposes. All the lenses I own (except a 15 year old Canon 70-200mm f/2.8) are primes. There’s less that can go wrong on these and obviously the image quality is superior to the equivalent zooms.

I carry a 13″ MacBook (I downsized from the 15″ for size and weight reasons) and two portable hard drives so I’m always backed up (I don’t have a favourite brand because I’ve had problems with all of them). I’ve got a snap-lock case for memory cards (a combination of CF and SD for each slot in the 5D – great for fooling policemen into thinking you’ve deleted the photos they’ve demanded be deleted).

I carry two phones, an iPhone 6 and an old Nokia. Each have different sim cards so I have a backup if one doesn’t have service, credit or battery. Having said that, I also carry a Mophie USB phone charger for the iPhone / iPad – which I get my newspapers and periodicals etc. on via a handful of subscriptions.

I also always have a book with me because I hate the idea of getting stuck anywhere without reading material. Getting stuck is part of working here – planes don’t arrive, helicopters can’t fly because of weather and most roads aren’t safe enough to drive, so yeah, reading material’s important.

I carry a pocket-sized Moleskine for taking notes. Yeah, they’re overpriced and kind of wanky but the leather outer saves the pages from the ruin of sweat if you’ve got it in a breast pocket in 50 degrees celsius, especially if it’s under body armour.

I always carry my RISC first aid kit which is stocked with tourniquets, bandages, chest seals, even a massive needle used in the event of a chest wound that results in the unwanted inflation of the chest cavity, to decompress it and a seatbelt cutter to strip clothing off the injured or wounded.

I was given this after completing a Reporters Instructed in Saving Colleagues course this year. It’s a free course that runs entirely off donations… hint, hint…

Sunscreen and paw paw ointment for dry lips, cuts and everything else. A blower-brush and microfibre cloth for the dust that gets into everything here. Head torch because power is very fickle even in Kabul.

And finally a pocket knife that get’s used for cutting up fruit more than fending off bad-guys, but you never know.

www.andrewquilty.com

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2 Comments

  1. Bob Walpole on April 16, 2026 at 2:53 pm

    So pleased to hear that a real pro uses 2 primes for his street images. About to do a trip to Europe and because I travel very light, my gear will be Sony a7cll, 24mm f2.8, 35mm f2.8. That’s it. Will go to your workshop at Noosa. Love your work.
    Bob Walpole

  2. Ori on November 21, 2015 at 1:28 pm

    Really enjoyed from the interview, great photographer!

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