Fuji XF 90mm

Fuji XF 90mm f/2 Review

Are you looking for a great all-around lens that works equally well for portraits or landscapes? Read on to find out how the Fujifilm XF 90mm fits the bill!

If I were forced to choose two prime lenses to take on a photographic assignment, it would be the 35mm and 135mm focal lengths. In terms of full frame cameras, those have always been my favourites.

In the world of Fuji and their APS-C 24 x 15mm sensors, these focal lengths convert to 23mm and 90mm respectively.  In this review I will concentrate on the Fuji XF 90mm f/2 LM WR prime lens.

(If you’re looking for something wider, my review of the Fujinon XF 23mm f/1.4 can be found here.)

The flexibility of the Fuji XF 90mm f/2 LM WR is the primary reason for its appeal.

The inherent shallow depth of field and rapid fall-off in focus directs the viewers’ attention to your subject, making the Fuji XF 90mm f/2 a wonderful portrait lens.

Due to its natural compression, it can also be successfully used to create interesting long lens landscapes.

Fuji 90mm f/2 Review Summary

The biggest selling point of the Fuji 90mm f/2 is its versatility. It shines for both portrait and landscape photography, and is weather and dust resistant. It’s also incredibly sharp, focuses beautifully, and performs exceptionally well wide open. In short, it’s hard to go wrong with this lens.

Fuji XF 90mm f/2 | Specifications


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The Fuji XF 90mm f/2 LM WR consists of eleven elements, three low dispersion, in eight groups. It has an angle of view of 17.9 degrees and a minimum focusing distance of 60cm.

The external aperture ring controls the seven-bladed rounded iris in 1/3-stop clicks ranging from f/2 to f/16. The lens weighs 540g and has a filter diameter of 62mm.

Its metal, weather- and dust-resistant shell hides a quad-linear autofocus motor that delivers fast (0.14sec) and accurate autofocus.

The quad-linear motor, designed for the Fuji XF 90mm, employs four magnets for increased torque to shift the larger lens focusing elements of the 90mm.


Fuji XF 90mm

Fuji XF 90mm f/2 LM WR.

With its 11cm length (16cm with the included lens hood), Fujifilm designers have been able to give the XF 90mm a very generous 4cm-deep focus ring.

I use manual focus on most occasions and find the torque/resistance of the focus ring very pleasing.

It is smooth and enables fine adjustments, which is essential in telephoto lenses.

If you are an autofocus user, then the focus ring becomes your grip and its bevelled surface removes any chance of the lens slipping in your fingers.

There is little chance of unintentional adjustments given the firm and precise 1/3-stop clicks of the external aperture, in conjunction with it being positioned well away from the focus ring.

Sean Keenan

Sean Keenan playing John Grant in ‘Wake in Fright’ | 1/500sec at f/5 ISO 3200

Being old school, I’m a firm believer in using a lens hood. I am constantly amazed when I see photographers shooting away sans-lens-protection.

Surely they can’t all be doing it purposefully for the flare or the low contrast ‘look’?

The hood accompanying the Fuji XF 90mm is a substantial 6cm long with inner bevels to increase its efficiency.

I do have one concern with the lens hood which I am checking into with Fujifilm Australia.

After two years of continued use, the hood has become loose and on a number of occasions has disconnected from the lens when brushed by an errant hand or other object.

I imagine this is caused by the softer plastic of the lens hood’s bayonet-style lock wearing down as it is repeatedly twisted on and off the metal lenses.

Fuji XF 90mm f/2 Sample Images

Check out these sample images taken with the Fuji XF 90mm f/2.

Credit: Jeff Carter

Credit: John Rourke

Credit: John Rourke

Credit: Niko Villegas

Credit: Kevin Mullins

Credit: Kevin Mullins


Jason King

Jason King in ‘Ghost Hunter’ Documentary | 1/250sec at f/2.5 ISO 2500

First of all, let’s look at the autofocus. The inclusion of the quad-linear autofocus technology results in fast, quiet—and most importantly in a lens with so little depth of field at wider apertures—accurate auto focus.

If you have read any of my previous lens reviews, you’ll know I’m a lover of manual focus. I often find myself shooting in low light, primarily in a studio or at night.

When I do use autofocus in these low-light situations, I find the smallest square in the single point option the most accurate for critical focus.

By using the smallest square, I have also found it reduces ‘focus hunting’ to practically nothing.

Working on film sets is pressure-filled, and speed is of the essence. Actors don’t stand still, and when they do, their heads are always moving as they deliver their dialogue.

Brittany Clark

Brittany Clark plays Mia Halston in ‘Doctor Doctor’ Series 2 | 1/100sec at f/2 ISO 1000

In these situations, an accurate manual focus system is essential. Fuji has it with its MF Assist / Focus Peak Highlight mode, within which my preference is Yellow/Low.

I can follow and rapidly adjust using manual focus quicker than I can using autofocus. With the peaking option on, I have a backup to my eyes’ ability to see focus through the EVF.

This is essential when shooting in low light.

In my focus test I found the XF 90mm f/2 LM WR at f/2 was lovely and sharp across the majority of the frame.

There is slightly less contrast and sharpness at the far corners of the image. From f/2.2 onwards, the lens is sharp across the image with consistent contrast.

Ben Lawrence

Director Ben Lawrence of the feature documentary ‘Ghosthunter’ | 1/125sec at f/2 ISO 2000

Investigating a lens’s ability to produce a pleasing bokeh (or not) has become part of any review involving all but the widest of lenses.

I converted the image to B+W to be able to primarily concentrate on the shape of these blurred Christmas lights.

Bokeh Test

At the two widest apertures, f/2 and f/2.2, the circles are even in shape and illumination.

From f/2.5 onwards, the shape of the seven-bladed iris starts to become apparent and of course this shape becomes more defined as you continue to close the lens down.

The evenness of illumination continues to be consistent throughout the aperture range.

How pleasing is the bokeh?  Well that surely is in the eye of the beholder.

For me, the roundness of the circles both behind and in front of the plane of focus at f/2 and f/2.2 look lovely, and this is the aperture range I would use whenever possible for this style of image.

Bokeh Test 2

In the results I noticed tiny spots within the circles that are evident at all f-stops. I looked at the possible reasons for this and found by process of elimination they were due to dust particles on the rear element of the lens.

So to those of you that love bokeh and shoot with it in mind, I recommend you clean your lenses first.

Nicole De Silva

Nicole De Silva plays Charlie in ‘Doctor Doctor’ Series 2 | 1/500sec at f/5 ISO 800

One of the advantages of shooting wider shots with a longer lens like the Fuji XF 90mm is the ability to work without disturbing your subject.

This becomes a more observational, slice-of-life style of imagery which can work very well as in the photo above of Nicole De Silva during the shooting of ‘Doctor Doctor’.

Fuji XF 90mm f/2 Review | Conclusion

Lee Jones and Sean Keenan

Lee Jones plays Joe Jaffries in ‘Wake in Fright’ | 1/100sec at f/2.8 ISO 1250; Sean Keenan as John Grant in ‘Wake in Fright’ | 1/500sec at f/3.6 ISO 200

My time shooting with this lens has been nothing but positive. The Fuij XF 90mm f/2 LM WR comes with everything I like in a lens of this focal length.

I like the sturdy feel of its weather- and dust-sealed metal exterior, the generous sizing of the focus ring, the firmness of the aperture’s click stops and the meaningful lens hood.

In my opinion the Fuij XF 90mm f/2 LM WR is the best performer, wide open, of all the Fujinon fast prime lenses.

Coupled with the accuracy of either auto or manual focus modes I can confidently shoot at f/2 knowing the results will be sharp and satisfying to look at.

From portraits to landscapes, the Fuji XF 90mm is an extremely versatile lens. That makes it an ideal all-rounder and a good lens to include in any kit I put together, no matter the job brief or destination.

The only thing I don’t love is that its lens hood is plastic.

In my opinion, metal lens hoods should be included across the board, and not just for a select few of the fast primes lenses. That would help give those of us who use these lenses professionally a longer-wearing option to the plastic.

|mage Quality10
Build Quality 


  1. vinh on July 14, 2023 at 5:27 pm

    This 90 F2 is 1/3 prime lenses that I love the most, among the X-series.
    I agree on the lens hood’s bayonet-style lock, it’s really something Fuji has to work on.
    But I’ve learnt the reason why hoods are made from plastic is because they will absorb every force, had you dropped your lens. That’s not gonna happen if the hood is made from metal.

  2. Nigel Swan on April 16, 2022 at 9:47 am

    Excellent review, thank you! Looking at this for sport/motorsport at night, and seems from the samples especially that it will fit the requirement very nicely – as well as giving me a portrait lens to work with.

    • Mark Condon on April 19, 2022 at 9:46 am

      Why not submit to Shotkit, Nigel – could do with some more motorsports photogs :-)

  3. Rob Oresteen on November 30, 2021 at 12:24 pm

    Nice review, John. Thank you.

  4. Tilman on November 17, 2020 at 2:49 am

    Thanks for your real world examples, John!

    Your article (amongst some others) helped me decide if I should buy that 90mm or not. I eventually did: Just purchased this superb lens for my headshot work and just tested it on an autumn walk. Seems to be one of the best lenses I’ve ever owned ;-).

    Cheers, Tilman

    • John Platt on November 20, 2020 at 7:44 am

      Hey Tilman, I agree it’s one of, if not the best Fuji lens available in regards to sharpness, especially wide open. I’m glad it’s lived up to your expectations. Cheers, John

  5. philip Sutton on November 12, 2019 at 6:45 pm

    Great stuff John and brilliant images. Yes this is my favourite lens and I do not go anywhere without it being ‘strapped’ onto one of my H-1’s. It was playing up recently and doing silly things on my images so I had to send it away to Fuji in Sydney. It was gone for just on a month and I felt naked without it. It cost $300 to repair and they said it needed a new ‘iris’ – aperture. I must say it is working beautifully so far. I’m testing the daylights out of it because I have a 4 week trip coming up soon to China, Vietnam and Cambodia and I certainly don’t want this baby giving any problems. Keep up the posts John – I really enjoy your stuff! Philip

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