Tomer Sabag

My name is Tomer Sabag and I am a wedding photographer based in Afula, Israel. I started shooting 25 years ago, and I like to document human relationships.

I try to imagine the scene at the top to catch people’s feelings or interesting good source of light. I am a photographer since the age of 16. My father was also a photographer who shot with Nikon, which is why I have continued to shoot with Nikon as I still have his lenses.

I have always had a strong relationship with trying to capture raw images and really what better than to document something deep and moving than a wedding. I started in 1998 and almost immediately I started to build my career as a wedding photographer.

Camera

My main camera body Nikon D3S is my favorite camera. Its speed and sharpness really suits my style of shooting!

My other body is a Nikon D4. I love to work without any obstructions. With the Nikon D4 I take advantage of the super quick auto focus and sharp image capture to grab whatever moment when it occurs.

Flash
Weddings offer so many unique lighting challenges, I have some flash lights – three Nikon SB-900 – I love them!
Lenses
Nikon 70-200mm VR II MM f/2.8 – I use this to photograph my engagement sessions and also to capture moments during the wedding. This lens just helps stop my client getting stressed, because I can remain a distance away from them using the zoom.

Nikon 14-24mm f/2.8 I like to shoot with lens. It allows me to obtain images with unusual perspectives and a different kind of fun.

Nikon 85mm f/1.4G AF-S- I love the lens. I like how it focuses quickly and the appearance of the images.

Nikon 24-70 mm f/2.8 – It’s the best middle-zoom that Nikon makes.

Nikon 60mm f/2.8D AF – I use it to take a few shots of wedding rings and jewelry items that link to the event.

Sigma 35mm f/1.4 – cheaper than the equivalent Nikon, and, in my opinion, it provides a more complete performance.

Nikon 16mm f/2.8 FISHEYE – this lens gives a unique perspective and is still versatile and provides a superior optical performance. I use it for Interior shots and for shots of architecture.

Helios-40 85mm f/1.5 – Depending on the mood and my situation, I like to this unusual lens.

Glass prism – I like to use every source of light and reflection. I collect each piece of glass with an interesting reflection to use in these situations.

LED Lenser torch – I like to use this sometimes for lighting my subjects.

I also carry a pen, Lenspen, gum, tie, business cards and for my memory cards I use my Think Tank Pixel Pocket Rocket.

Holdfast Money Maker – this strap is very comfortable and carries both my cameras at the same time.

LowePro Pro-Trekker 600 AW – this fits all my equipment in the one bag.

(In Hebrew:)

ืฉืžื™ ื”ื•ื ืกื‘ื’ ืชื•ืžืจ ื•ืื ื™ ืฆืœื ื—ืชื•ื ื•ืช ืžืชื’ื•ืจืจ ื‘ืขืคื•ืœื”, ื™ืฉืจืืœ.

ื”ืชื—ืœืชื™ ืœืฆืœื ืœืคื ื™ 25 ืฉื ื™ื, ืื•ื”ื‘ ืœืชืขื“ ื™ื—ืกื™ื ื‘ื™ืŸ ื‘ื ื™ ืื“ื.

ืื ื™ ืžื ืกื” ืœื“ืžื™ื™ืŸ ืืช ื”ืกืฆื ื” ื‘ืจืืฉ ื•ืœืชืคื•ืก ืจื’ืฉื•ืช ืฉืœ ืื ืฉื™ื .

ืžื—ืคืฉ ืชืžื™ื“ ืžืงื•ืจ ื˜ื•ื‘ ื•ืžืขื ื™ื™ืŸ ืฉืœ ืื•ืจ.

ืื ื™ ืฆืœื ืžื’ื™ืœ 16. ืื‘ื™ ื”ื™ื” ืฆืœื ื•ืœื™ ื–ื” ืœื ื”ื™ื” ื‘ืจื•ืจ ืžืื™ืœื• ืฉืื ื™ ืืžืฉื™ืš ื‘ื“ืจื›ื•.

ืื‘ื™ ืฆื™ืœื ื‘ืžืฆืœืžืช ื ื™ืงื•ืŸ .

ื•ื‘ืชื—ื™ืœืช ื“ืจื›ื™ ื”ื™ื” ืœื™ ื‘ืจื•ืจ ืฉืื ื™ ืžืžืฉื™ืš ื‘ื ื™ืงื•ืŸ.

ื”ืžืฆืœืžื” ื”ืจืืฉื•ื ื” ืฉืœื™ ื”ื™ื ื ื™ืงื•ืŸ Nikon 8008

ืชืžื™ื“ ื”ื™ื• ืœื™ ืžืขืจื›ื•ืช ื™ื—ืกื™ื ื—ื–ืงื•ืช ืขื ืฉื™ืื™ื ืฉืœ ืจื’ืฉื•ืช .

ื•ืžื” ื˜ื•ื‘ ื™ื•ืชืจ ืžืืฉืจ ืœืชืขื“ ืžืฉื”ื• ืขืžื•ืง ื•ืžืจื’ืฉ ื›ืžื• ื—ืชื•ื ื” .

ื”ืชื—ืœืชื™ ื‘ืฉื ืช 1998 ื‘ื ื™ืชื™ ืืช ื”ืงืจื™ื™ืจื” ืฉืœื™ ื›ืฆืœื ื—ืชื•ื ื”.

ื•ื–ื” ื”ืฆื™ื•ื“ ืฉืœื™

ืžืฆืœืžื”:

ื’ื•ืฃ ื”ืžืฆืœืžื” ื”ืจืืฉื™ ืฉืœื™ ื”ื•ื NIKON D3S ืื ื™ ืื•ื”ื‘ ืืช ื”ื—ื“ื•ืช ื”ืžื”ื™ืจื•ืช ื•ืžืฆืœืžื” ื–ื• ืžืชืื™ืžื” ืœืกื’ื ื•ืŸ ื”ืฆื™ืœื•ื ืฉืœื™

ื”ื’ื•ืฃ ื”ืฉื ื™ ืฉืœื™ ื”ื•ื NIKON D4 ืื ื™ ืื•ื”ื‘ ืœืขื‘ื•ื“ ืื™ืชื” ื‘ืœื™ ืคืœืืฉ ืœืชืคื•ืก ืจื’ืขื™ื ืงื˜ื ื™ื ื•ืžื™ื•ื—ื“ื™ื .

ืคืœืืฉ:

ื—ืชื•ื ื•ืช ืžืฆื™ืขื•ืช ื›ืœ ื›ืš ื”ืจื‘ื” ืืชื’ืจื™ ืชืื•ืจื” ื™ื™ื—ื•ื“ื™ื™ื, ื™ืฉ ืœื™ ื›ืžื” ืคืœืืฉื™ื ืฉืœื•ืฉื” Nikon SB-900 – ืื ื™ ืื•ื”ื‘ ืืช ื–ื”!

ืขื“ืฉื•ืช:

NIKON 70/200 VR II MM F / 2.8 ืื ื™ ืžืฆืœื ืื™ืชื” ืฆื™ืœื•ืžื™ ื—ื•ืฅ ื–ื•ื’ื™ื•ืช ื•ืจื’ืขื™ื ืžื™ื•ื—ื“ื™ื ื‘ืื™ืจื•ืข . ื–ื” ืขื•ื–ืจ ืœื™ ืœืฉืžื•ืจ ืขืœ ื”ืœืงื•ื— ืฉืœื™ ืœื—ื•ืฅ ืคื—ื•ืช ื‘ื–ื›ื•ืช ื”ืžืจื—ืง ืžื”ืžืฆืœืžื”.

Nikon 14/24 f / 2.8 ืื ื™ ืื•ื”ื‘ ืœืฆืœื ืขื ื”ืขื“ืฉื”. ื–ื” ืžืืคืฉืจ ืœื™ ืœื”ืฉื™ื’ ืชืžื•ื ื•ืช ืขื ื ืงื•ื“ื•ืช ืžื‘ื˜ ื•ื™ืฆื™ืจื” ืฉื•ื ื•ืช.

85 mm Nikon F / 1.4G AF-S -ืื ื™ ืื•ื”ื‘ ืืช ื”ืขื“ืฉื” ื”ื–ืืช ืื ื™ ืื•ื”ื‘ ืื™ืš ืฉื”ื™ื ืžืชืžืงื“ืช ื‘ืžื”ื™ืจื•ืช ื•ืืช ื”ืžืจืื” ืฉืœ ื”ืชืžื•ื ื•ืช. ืื ื™ ืžืฉืชืžืฉ ื‘ืขื“ืฉื” ื–ื• ื‘ืขื™ืงืจ ืœื˜ืงืก.

Nikon F 24/70 2.8 MM ื–ื” ืขื“ืฉืช ื”ืืžืฆืข-ื–ื•ื ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ ืฉืœ ื ื™ืงื•ืŸ.

mm Nikon F60 / 2.8 D AF ื‘ืขื“ืฉื” ื–ื• ืื ื™ ืžืฆืœื ื›ืžื” ืชืžื•ื ื•ืช ืฉืœ ื˜ื‘ืขื•ืช ื ื™ืฉื•ืื™ื ื•ืชื›ืฉื™ื˜ื™ื ื”ืžืงืฉืจื™ื ืœืื™ืจื•ืข.

F / 1.4,SIGMA 35 MM ื–ื•ืœ ื™ื•ืชืจ ืž ื ื™ืงื•ืŸ ืฉื•ื•ื” ื”ืขืจืš ื™ื•ืชืจ ืœื“ืขืชื™, ื‘ื™ืฆื•ืขื™ื ืžืœืื™ื ื™ื•ืชืจ.ื˜ื•ื‘ื™ื ืื•ื”ื‘ ืืช ื›ื ื™ืกื•ืช ื”ืื•ืจ ืœืคืจื™ื™ื.

Nikon 16mm F/2.8D Auto Focus Fisheye Nikkor Lens

ื ืงื•ื“ืช ื”ืžื‘ื˜ ื”ื™ื™ื—ื•ื“ื™ืช ืฉืœื” ื‘ื™ืฆื•ืขื™ื ืื•ืคื˜ื™ื™ื ืขื“ื™ื™ืŸ ืชื›ืœื™ืชื™ื™ื ื•ืžืขื•ืœื™ื ืžื‘ื™ืื” ื–ื•ื•ื™ืช ืขื™ืฆื•ื‘ ืคื ื™ื, ืื“ืจื™ื›ืœื•ืช ื•ืžืจืื” ื›ืœืœื™ ืฉื•ื ื”.
ืื ื™ ืžืฉืชืžืฉ ื‘ื”ืชืื ืœืžืฆื‘ ื”ืจื•ื— ื•ื”ื–ืžืŸ ืฉื™ืฉ ืœื™ Helios-40-2 85mm f/1.5
ื”ื‘ื•ืงื” ืฉืœื” ืžื“ื”ื™ื .

VINTAGE 1 1/2 16 ืž”ืž F / 1.6 AGFA AGOMAR 1: 2.5 85

6 “15 ืก”ืž OPTICAL ื”ื–ื›ื•ื›ื™ืช ืžืฉื•ืœืฉืช .

ืื ื™ ืื•ื”ื‘ ืœื”ืฉืชืžืฉ ื‘ื›ืœ ืžืงื•ืจ ืฉืœ ืื•ืจ ื•ื”ืฉืชืงืคื•ืช ืื ื™ ืื•ืกืฃ ื›ืœ ืคื™ืกืช ื–ื›ื•ื›ื™ืช ืขื ื”ืฉืชืงืคื•ืช ืžืขื ื™ื™ื ืช.
LED LENSER Pixel Pocket
ืื ื™ ื ื•ืฉื ืืชื• ืœื›ืจื˜ื™ืกื™ ื‘ื™ืงื•ืจ ื•ื›ืจื˜ื™ืกื™ ื–ื™ื›ืจื•ืŸ ืื ื™ ืžืฉืชืžืฉ ื‘ื• ื’ื ื›ืืจื ืง ื”ื—ื™ืœื•ืคื™ ืฉืœื™ .

Holdfast money maker ื–ื” ืขื•ื–ืจ ืœื™ ืœืขื‘ื•ื“ ืขื ืฉืชื™ ื’ื•ืคื™ื . ืื ื™ ื™ื›ื•ืœ ืœื•ืžืจ ืฉื–ื” ืžืจืื” ืžื™ื•ื—ื“ ื ื”ื“ืจ ืขื ื ื—ืžื” ื’ื“ื•ืœื” ืขืœ ื›ืชืคื™ื ื•.

PRO-Trekker 600 AW ื›ืœ ื”ืฆื™ื•ื“ ื‘ืชื™ืง ืื—ื“ ืฉืฉื•ืžืจ ืขืœ ื”ืกื“ืจ ื•ืขืœ ื”ืฆื™ื•ื“.

Inside Tomerโ€™s Camera bag:

mark-shotkit

WELCOME TO SHOTKIT

Enter your email to be sent
today's Welcome Gift:
19 Photography Tools