Hi – I’m Andrew Billington, and I’ve been photographing weddings for 15 years. I began my career working in theatre and in 2003 acquired a small digital camera and started taking candid backstage photos.
After being commissioned by the Arts Council of Britain to take some photos for them, I was then asked by a client if I photographed weddings too and so it all began…
I quit my theatre job in 2010 to work full time as a photographer and it’s been a great journey that’s taken me across Europe and even Africa – but also to Doncaster and Birmingham so it’s not all glamour!
I started off with Canon DSLRs and zoom lenses (Canon 24-70mm f/2.8, Canon 70-200mm f/2.8 like all ‘proper’ wedding photographers did) but when the first mirrorless cameras from Fuji arrived I knew this was the way to go for the type of photography I wanted to do at weddings – candid, unposed, fly-on-the-wall.
So from November 2013 I was pretty much shooting mirrorless, small Fuji cameras for weddings – the release of the Fujifilm X-T1 in early 2014 sealed it for me.
I like to shoot with minimal gear at weddings, never carry a bag, and like to ‘wear’ everything I’m going to use.
I still shoot two cameras (backup is important even with minimal gear) but I like to keep both small. One round my neck, one on the hip.
I have no brand loyalty and currently shoot three different manufacturers throughout the day – Leica and Sony daytime, Fuji for dancing.
Leica Q2: Brilliant small camera with a fixed focal length of 28mm and max. Aperture of f1.7. It’s simple to control (I shoot full manual so on the fly adjustments need to be easy) and is small and lightweight.
Sony A9: Small(ish), fast, and great in low light.
Fuji X-Pro2: I use this on the dance floor as I like to get into the action and it doesn’t matter if it gets knocked out of my hands. The viewfinder is seriously cracked already.
Sony 85mm f/1.8: Lovely image resolution and fast enough to shoot in low light. This is my go-to portrait lens.
Sony 55mm f/1.8: My one camera, early evening walk around lens. Small, light, fast, and a great focal length for getting reception candids and ambient lit shots on the dance floor.
Hardware & Software
I always have a couple of energy bars to keep me going through the day and a banana.
It’s taken me 15 years to cast off all the kit I started with. I used to be loaded down like a pack-horse on a wedding day.
The best bit about weddings is the questioning looks my minimal set up gets from the keen hobby photographers who have brought along everything they own in order to ‘back me up’ in case I miss something.
We always end up having great conversations but I know they wouldn’t give up their backbreaking, face hiding DSLRs. It’s great that we all have choices.