Best Cameras Under $500
Since writing this article on the best cameras under $500, I’ve had a lot of great feedback from happy photographers – it seems that finding the most affordable way to document memories and create better art is a popular topic.
For newcomers to photography, the assumption is that an expensive camera is required to get great photos. Thankfully in 2019, this is no longer the case, with a some great value for money options available.
|Sony a5100 ⭐️⭐️⭐️⭐️⭐️Incredible autofocus, image quality & video in a compact body. Best bang for the buck in 2019.||View Price|
Introducing you to a selection of cameras which cost less than $500 is important for me as a professional photographer, since I want you to experience photography without the huge price tag.
While there’s plenty of cheap camera gear available, the selection below are cameras I recommend as being excellent value for money, giving you the best bang for your buck and standing you in good stead as you grow with your photography skills.
N.B. The prices of the product recommendations may have fluctuated above $500 since the time of writing this article. Click the buttons below to find today’s pricing.
Top 8 Cameras Under $500 in 2019
|Sony a5100||View Price →|
|Olympus E-M10 II||View Price →|
|Canon G7X II||View Price →|
|Nikon D3400||View Price →|
|Canon T6 (1300D)||View Price →|
|Canon M100||View Price →|
|Sony RX100||View Price →|
I’ve selected the top digital cameras under $500 – the exceptions are where a lens is included in the price, stretching the budget very slightly.
The cameras selected above all offer excellent build quality, image quality, handling and value for money… often performing far better than you’d expect for their sub-$500 price.
To speed your research up, I’ve categorised each section by the most popular camera formats, with a foreword about the benefits of each type:
If you’re able to stretch your budget a little further, I recommend you check out my guide to the best mirrorless cameras of 2019, which investigates a selection of higher priced cameras which offer more features.
Whilst DSLRs and compact cameras still have their place, investing in one of the latest mirrorless camera systems will help future-proof your purchase. I’ve included a couple below for you to choose from if your budget is limited.
Read on below to see my reviews, including what I consider to be the best camera under $500 of the year so far. I’ve also included some videos on each camera that I think you’ll find useful.
Despite the growth in popularity of mirrorless cameras, the humble DSLR camera still has pride of place as the number one format in use by photographers in 2019.
DSLR technology may be getting long in the tooth, but for the time being at least, nothing beats looking through an OVF (Optical ViewFinder) to take a photo.
DSLRs typically offer better ergonomics, longer battery life, more competitive pricing, and better reliability, so recommending a handful of the best DSLR cameras under 500 bucks was a no-brainer.
Sensor Size: APS-C
Dimensions: 4.9 x 3.9 x 3 in. (124 x 98 x 75.5 mm)
Weight: 445 g ( 15.7 oz )
Let me preface this review with one caveat – you may struggle to get hold of this excellent entry-level Nikon DSLR. At the time of writing, only a few ‘refurbished’ models are available here, with the stock quickly dwindling.
The popularity of the Nikon D3400 with 18-55mm lens has mainly been due to its price – for less than $500, you’re getting a helluva-lot of camera for your money!
I’m a big fan of entry-level DSLR cameras. Typically, the technology from the more expensive ‘flag-ship’ models trickles down the ranks, so the cheaper cameras in the line up can also take advantage of class-leading features.
I tested a Nikon D3400 over the holidays and was very impressed with its performance (see my Nikon D3400 review). Coming from a DSLR costing 5x the price, I did of course miss all the bells and whistles of my pro-level camera, but this compact DSLR still did a fine job.
I say ‘compact’, but entry-level DSLRs are more like a jacket-pocket-size. They’re small and light enough to palm easily, but still retain excellent ergonomics, providing adequate comfort for all day shooting – this isn’t the case with most mirrorless cameras and compact cameras.
With its 24.3MP sensor and high-tech image processor, the Nikon D3400 delivers great looking RAW and JPEG images, which are large enough to allow you to zoom in on all the details.
Having a lot of megapixels allow you to ‘crop’ in to a photo after you’ve taken it, effectively allowing you to ‘zoom’ in on your subject and still retain decent quality.
They also allow you to blow up your prints to be displayed on your wall, which is exactly what I intend to do with a shot of my son taken with this camera, like the one below.
Auto-focus on the Nikon D3400 is decent too, with 5 fps continuous shooting – more than enough to keep up with fast-moving kids or pets.
One thing to note is that the 11 AF points are quite sparse in frame coverage, so I recommend the focus-recompose technique over individually selecting focus point.
The camera’s ‘guide mode’ is perfect for beginners, teaching you how to shoot in various situations. This is one of the main reasons I chose this camera as one of the best cameras for beginners in 2019. as well as naming it one of the best entry level DSLR cameras too.
Battery life is excellent, at approximately 1,200 shots per charge – more than twice as many as most mirrorless cameras, and a huge advantage if you plan to take this camera on holiday.
The Nikon D3400 normally comes bundled with an 18-55mm zoom lens, which is lightweight and a good complement to the camera.
Despite this lens being capable (see my sample images), I recommend upgrading to a ‘prime’ lens as soon as you feel comfortable with the camera, since a lens such as the Nikon 35mm f/1.8G (reviewed here) will really open the doors to what is possible with the Nikon D3400.
At only 22.8 oz (645 g) with the lens attached, the Nikon D3400 was a joy to use, and I found myself reaching for it far more than my phone when I wanted to take a snap of the kids.
You can also take advantage of low-light shooting without having to resort to a flash, thanks to the ISO range of 100 – 25,600.
Realistically, 25,600 will produce a very noisy image, but it’s usually better to have a moment captured ‘noisily’ than nothing at all!
Pro Tip: If there’s a lot of noise in your image (due to using a higher ISO), try changing it to black and white using your image editing program of choice – usually noisy photos look much better with the colours removed.
Nikon ‘Snap-Bridge’ technology is built-in to the D3400, allowing you to transfer images in real time via Bluetooth over to a smartphone or tablet. It’s a fun gimmick, useful perhaps to those who spend a lot of time uploading images to social media.
After my 3 weeks with the Nikon D3400 as my holiday camera, I have no hesitation in recommending it as one of the best DSLR cameras under $500 available in 2019 – the only challenge you may have is finding it in stock!
Sensor Size: APS-C
Dimensions: 4.9 x 3.9 x 3 in. (125 x 98 x 76 mm)
Weight: 530 g (1 lb 2.7 oz)
Nikon offers a range of entry-level DSLRs with similar specifications, making the choice of which to buy rather difficult. To make matters harder, several of the DSLRs cost under $500.
If you can’t find the above Nikon D3400 in stock, the next best bet is the Nikon D5300 with 18-55mm lens – in some ways, it’s actually better.
The Nikon D5300 was released 2 years before the D3400, but that doesn’t mean it lacks the latest technology. Strangely enough, it actually has several features which don’t exist in other entry-level DSLRs, including the D3400.
It’s also slightly more expensive (see latest price here), but in my mind, it’s completely worth it.
It still offers that excellent 24MP sensor for rich, vivid and detailed RAW and JPEG files. If you’re going to be spending $500 on a digital camera, you’ll want the images to be much better than your smartphone’s, and thankfully this is the case here.
There’s also the 5 fps shooting speed, meaning that you can get a succession of 5 shots off a second, perfect for capturing the moment.
However, whereas the D3400 had only 11 AF points, the Nikon D5300 offers 39 AF points which are spread wider across the viewfinder. There’s also Nikon’s excellent 3D-tracking, which senses your subject and tracks it across the frame – perfect for capturing sporting events of fast moving children and pets!
The ISO range runs from 100-12,800, which is less than the D3400’s 25,600 maximum ISO. However, this should be taken with a grain of salt, since on an APS-C camera of this calibre, the sweet spot of low-light ability:image noise is around ISO 6,400, so the higher ISOs are largely left unused.
The main reason I actually prefer the Nikon D5300 over other entry-level Nikon DSLR cameras is the 3.2” articulating screen, which allows you to get more creative with your shooting angles and compositions.
If you’re photographing children in particular, you’ll want to get down to their height when taking the shot, and the tilting LCD screen helps enormously in getting a quick, candid shot.
Pro Tip: Tilting the screen to face upwards allows you to hold the camera at chest height, and still see the screen to be able to compose the image. This helps you to take candid photos of your subject, who usually won’t notice the camera since it’s held much lower. I do this all the time with my wedding photography and it works a treat!
There’s also built-in GPS on the Nikon D5300, which the D3400 doesn’t offer. This is great for recording where you took your photos whilst on holiday, and Lightroom has a handy map function which will help you organise your photos based on location.
So, what improvements can we see in the 2 years between the release of the Nikon D5300 and the D3400?
Well, battery life is a big one – expect roughly 600 shots out of the D5300, compared to 1,200 from the D3400. Is this a deal breaker? Well, batteries are affordable, so probably not since you can buy a couple. Also, 600 photos in a day is more than enough for most people.
Then there’s a slight weight saving (395 g vs 480 g), and also the difference in price – you’ll see that the Nikon D5300 sometimes creeps a little over $500 with a lens included, but it’s still excellent value for money.
The 18-55mm lens is versatile and delivers great results, but as mentioned before, I’d recommend you invest in the Nikon 35mm f/1.8G to get the most from your camera purchase later down the line.
All in all the Nikon D5300 deserves its spot as one of the best DSLRs under $500, and if your budget allows for it over the D3400, I highly recommend you take a look.
Sensor Size: APS-C
Dimensions: 5.08 x 3.99 x 3.06 in. (129 x 101 x 77 mm)
Weight: 17.11 oz. (485g)
Canon and Nikon offer a lot of bang for your buck in their DSLRs under $500 – they know that if they can get new consumers ‘in’ to their brand at a reasonable price point, they’ll usually have them for life.
Before you read any further, let me just say that if you can find the above Nikons in stock, I think you should consider them before this Canon. The Nikon D5300 in particular offers a lot better value for money.
For this reason, I won’t go into a full review of the Canon T6 (aka the EOS 1300D) here. So why am I including it at all then?! Well, two reasons.
The second reason is that I wanted to include a Canon entry-level DSLR just to give you another option on which to build your camera system.
Later down the line, if you want to invest in other Canon lenses, you’ll find there’s a greater selection with Canon, and often at cheaper prices. There are also many more ‘exotic’ lenses, featuring larger apertures (f/1.2, etc) and crazy wide angles.
Pro Tip: it’s always a good idea when buying a camera to have a think about what lenses you might want in the future. Consider focal lengths, maximum apertures, cost… when you invest in one brand, you usually need to stick to that brand’s lenses, so it’s good to plan ahead.
Click the button below to check out some user reviews on the Canon T6 and make your own mind up. My money would be with the Nikons above, but for diehard Canon fans, the T6 is also a solid investment.
Mirrorless cameras are the technology of the future. Small, light, and crammed with useful functionality not available on DSLRs, the best mirrorless cameras under $500 deliver a lot for the money.
(If you’re still undecided about what camera format to invest in, read my DSLR vs mirrorless camera buyer’s guide.)
In short, mirrorless cameras offer the main advantage of being able to ‘see’ your exposure before you take the shot. Whereas on a DSLR the viewfinder is essentially a ‘window’, a mirrorless camera offers an electronic viewfinder or an LCD screen, both of which show the effects of aperture, ISO and shutter speed, before you take your image.
There’s no right or wrong here – I love the shooting process with DLSRs as much as I do with mirrorless cameras. However, the format is quickly gaining popularity here in 2019, and the number of amazing mirrorless cameras under $500 in this roundup prove it.
Sensor Size: APS-C
Dimensions: 4.2 x 2.4 x 1.3 (109 x 62 x 35 mm)
Weight: 283g (9.9 oz.)
Before you yell, “but where are the cameras under $500?!”, remember that with this link, you’re getting a Sony a5100 mirrorless camera body with a lens included. That’s damn good value for money if you ask me!
It has to be said that the top mirrorless cameras under $500 do offer a considerable step up in technology from the dinosaur-like DSLRs.
The autofocus technology on the a5100 is borrowed from much more expensive cameras, and as such, performs surprisingly well.
The Sony a5100 brings 179 AF points and 6 fps to the table, meaning ultra-fast autofocus performance, perfect to capture all of life’s little moments as they happen.
Sharing many features as its elder sibling the excellent Sony a6000 (a camera I highly recommend if you can stretch your budget – check out my Sony a6000 review), the Sony a5100 sports a 24.3MP APS-C CMOS sensor with its AF points covering 92% of the frame.
What this means is that there’s an AF point ready to be moved exactly where you want focus, or you can let the camera track focus automatically for you, updating the focus point as the subject moves across the frame.
If you’re looking for a compact camera with a viewfinder, you’ll have to look elsewhere since the Sony a5100 only sports a rear LCD display – a gorgeous 3” touchscreen which can flip 180 degrees for simple selfies or for vlogging.
I didn’t mention the video functionality on any of the recomended DSLRs under $500 (despite them all having it), since recording video on a DSLR is inconvenient to say the least. Auto focus during video isn’t possible with DSLRs at this price point.
On the mirrorless Sony a5100 however, the lack of mirror means autofocus during video recording works well, and the phase detection AF points track your face around the screen eerily well.
Aside from autofocus that blows DSLRs out the water, the Sony a5100 produces vivid, punchy and detailed JPEGs and RAWs at 24 MP, meaning you can print 300 dpi enlargements at around 20 x 13.3 in.
The 16-50mm f/3.5-5.6 kit zoom performs well and complements the tiny Sony a5100 body perfectly. If you’re looking for a pocketable digital camera set up, pairing a compact mirrorless camera with a small lens is the best option.
A decent prime lens is the best investment you can make on an entry-level camera, bringing out the most of what it’s capable of.
When we reviewed the Sony a5100 in more depth, our reviewer chose to pair it with the excellent Sony FE 85mm f/1.8 lens – ‘FE’ lenses refer to ones made predominantly for the full frame sensor, but they also work with APS-C crop sensor cameras like the one on the a5100.
Pro Tip: Whether you think you’ll be upgrading to a full frame camera in the future or not, it’s a good idea to consider full frame lenses, even if you have a crop sensor body. Despite being larger, heavier and more expensive than lenses designed for APS-C bodies, full frame lenses usually offer better image quality and more robust build quality.
Having said that, the ‘kit’ lens that comes bundled with this a5100 performs surprisingly well – as you can see in the image below, you’re able to get that coveted blurred-background-look (‘bokeh’) really easily.
As is typical with Sony cameras, there’s a button for everything, and a few that can even be customised to suit your needs.
On the Sony a5100, you can use the control wheel next to the screen to control exposure compensation, shooting modes, ISO and aperture – basically everything you need to take a well exposed photo, or get creative with under/over-exposing your subject.
Sharing photos is a lot of fun with the built in WiFi and NFC – if your smartphone supports it, simply install the Sony Play Memories App, then touch the camera to the phone for a connection, and your images to transfer, or to be able to control it remotely – amazing!
The Sony a5100 is aimed at anyone who wants a big step-up in quality and control over their smartphone, but without the bulk of a DSLR.
Its size makes it a good travel camera, but remember to try and pair it with a small-ish lens to really take advantage of its proportions.
Overall, this is a great mirrorless camera + zoom lens option, that’s more than worthy of your hard earned cash!
Sensor Size: Micro Four Thirds
Dimensions: 4.6 x 3.2 x 1.8 in. (119 x 83 x 46 mm)
Weight: 399g (14 oz.)
The sensor size largely determines the size of the lens, and the MFT format was developed to offer great image quality without sacrificing portability. With the EM-10 Mark II, you’re getting a lot of the latest technology crammed into a compact body which still retains those pleasing DSLR-like ergonomics.
Also packed inside is the latest image processor, 5-axis image stabilization, 8.5 fps, a touch screen tilting LCD display, class-leading autofocus performance and a whole lot more.
The OM-D E-M10 Mark II is the only camera in this list with image stabilization – a feature normally found on much more expensive camera bodies, enabling you to hand hold the camera in low light, allowing the use of slower shutter speeds and lower ISOs (for a cleaner image).
Despite it having the smallest image sensor out of all the cameras mentioned here, the Olympus OM-D E-M10 Mark II can definitely hold its own in terms of image quality. It’s also fantastic value for money, although you’ll see the price is actually slightly over $500 since a lens is included – purchasing the body alone is of course cheaper.
The tried and tested 16MP sensor is used across the board on Olympus mirrorless cameras, delivering very good JPEG and RAW image quality.
The dynamic range performance when editing a RAW file is impressive, providing a good degree of post processing latitude at low ISOs and no more noise than is expected at higher ISO settings.
Typically, the smaller the sensor size, the more limited the high ISO capabilities (i.e. the ability to shoot in low light without a flash).
Thankfully, Olympus MFT cameras perform competitively, being almost on par with APS-C cameras, meaning you’ll be able to forgo the flash for a good while after sunset.
If you really want to take advantage of low light shooting (and blurred backgrounds for subject separation), I highly recommend upgrading the kit lens to something like the Olympus M.Zuiko 17mm f/1.8.
Expensive as it may be, this is the single biggest upgrade you can make for your Olympus OM-D E-M10 Mark II, bringing image quality in line with DSLRs costing twice the price.
(You can see examples of what’s possible in my review of the Olympus OM-D E-M5 Mark II, which has the same sensor as the E-M10 Mark II.)
The autofocus is incredibly responsive and accurate (even more so than DSLRs costing 3x the price, in fact). I absolutely love the ability to touch your subject on the rear LCD, to have the Olympus OM-D E-M10 Mark II focus and shoot in a split-second.
Being able to shoot a subject without even raising the camera to your eye is perfect for capturing candid photos, and great for photographing children.
Face and eye detection in autofocus is also hugely rewarding for shooting portraits, and especially useful when you don’t have time to select an AF point manually.
Another thing I love about the Olympus OM-D E-M10 Mark II, and the reason for my preference of it over the other best mirrorless cameras under $500 on this list, is its handsome styling and ergonomics.
Borrowing from the classic Olympus OM film cameras of old, the Olympus OM-D E-M10 Mark II features well-placed dials which mimic professional-level DSLRs. This means you can adjust all your exposure settings quickly and easily, without having to delve into the menu.
Speaking of the menu system, this is the only area that really lets the camera down. The Olympus mirrorless camera menu is notoriously deep and confusing, so once you have your camera set up, it’s preferable to stay clear of it!
If you’re looking for a lightweight, compact camera with ergonomics that make sure that it doesn’t feel like a bar of soap in your hands, the Olympus OM-D E-M10 Mark II should be at the top of your list. It offers a lot of camera for the money, and will stand you in good stead in your development as a photographer.
Sensor Size: APS-C
Dimensions: 4.2 x 2.6 x 1.3 in. (108 x 67 x 35 mm)
Weight: 302g (10.6 oz.)
It’s taken a long time for Canon to release a mirrorless camera, but it finally happened in 2017 with the pocket-sized Canon EOS M100.
Whilst it wasn’t the DSLR-beating Canon mirrorless camera many were hoping for, the Canon EOS M100 represented a step in the right direction, and has been a hugely popular camera for all level of photographer.
The advanced technology of the 24MP APS-C sensor and Dual Pixel autofocus system is borrowed from cameras much higher up in the Canon range, meaning that the Canon EOS M100 is one of the best cameras for the dollar available this year.
The Dual Pixel autofocus delivers fast, accurate subject tracking, and coupled with the responsive, 180 degree tilting touchscreen, this compact mirrorless camera really is a lot of fun to use.
Video shooters will appreciate the ability to ‘rack focus’, simply by dragging a finger across the touchscreen from one subject to another. This advanced feature isn’t normally seen on a compact camera, let alone a mirrorless camera costing less than $500.
As for image quality, Canon knows what it’s doing with colours, and the JPEGs out of the Canon EOS M100 look great.
With the selfie-friendly rotating screen, a skin smoothing/background blurring feature, interchangeable camera ‘jackets’, Creative Filters (e.g. grainy film, fish-eye etc.) and Wifi for quick image to smartphone transfer, it’s clear that the Canon EOS M100 is aimed at the social media generation.
Weighing in at only 266g (9.4 oz.), the Canon EOS M100 is small and light enough to be carried anywhere, with its form factor being compromised only by the lens you choose to attach.
On the topic of lenses, the 15-45mm does a good job in a versatile focal range, but I’d recommend investing in the dinky Canon EF-M 22mm f/2 STM lens to really start seeing the capabilities of this little camera (not to mention making it more compact).
This opens up a world of creative options, and allows you to take advantage of any of the best Canon lenses – my first choice would be one of the lightweight primes.
However you plan to use your Canon EOS M100, you’re in for a lot of fun. With fun features that reflect the kind of user it’s aimed at, this compact Canon mirrorless camera offers some of the best image quality you can get in a camera of this size, and I wouldn’t hesitate to recommend it.
Compact cameras also fall under the heading of ‘mirrorless’ cameras, since they don’t rely on a mirror like a DSLR. However, I’ve chosen to keep this category for compact cameras under $500 with 1 inch sensors.
Typically, the smaller the sensor, the smaller the camera, and this is the case with these compacts, which can be slid into a jeans pocket and carried comfortably all day.
Smartphones and other compact cameras often have smaller sensors than 1 inch, and this usually means they struggle in low light.
However, the compact cameras recommended below produce great image quality even after sunset, and represent a solid upgrade from any smart phone or smaller sensor’d point and shoot camera.
Sensor Size: 1 inch
Dimensions: 4.1 x 2.4 x 1.6 in. (105 x 61 x 42 mm)
Weight: 11.2 oz (318 g)
Here’s a link to a special offer on the Canon PowerShot G7 X Mark II on Amazon which is currently available as a bundle, featuring some useful gadgets. It’s a little over our $500 budget, but it’s such an excellent bargain that I had to include it.
Building on an impressive 20.2MP 1″ sensor, the 24-100mm equivalent lens is the real stand out feature, offering an aperture range of f/1.8 – 2.8.
Having an aperture this ‘fast’ allows you to shoot without a flash in low light, without having to resort to higher ISOs which may bring about a noisy image. (Read this post on understanding aperture if you want to learn more about how fast apertures can help.)
The ISO performance on the Canon PowerShot G7 X Mark II is actually good for a sensor of this size, but shooting at lower ISOs is always favourable.
In practice, I was able to get relatively clear shots as high as ISO800, but that didn’t mean that I’d be limited myself to that number – my preference is to allow the camera to push ISOs = all the way up to ISO10,000, meaning that at least I could capture the moment.
Thanks to the surprising amount of data in the RAW files out of the Canon G7 X Mark II, it’s easy to clean up the noise from any image shot at high ISO, as you can see in the photo above.
The fast aperture range allows you to produce images with blurry backgrounds, helping to separate the foreground subject – your smartphone may be able to do it with AI, but it’s not as efficient as using a dedicated camera to do it.
As you zoom the lens (whether with the dedicated control slider, or with the lens ring set to one of the two zoom functions), the aperture changes from f/1.8 at the lens’s widest point, to f/2.8.
For such a compact mirrorless camera, the Canon G7 X Mark II has excellent ergonomics, with a raised, rubberised grip on the front and the rear – something that its predecessor was lacking.
Packing a 24-100mm zoom into a camera that can easily slide into your pocket is no mean feat – the Canon PowerShot G7 X Mark II is one of the smallest in this roundup of compact digital cameras under $500, and provides a significant step up in image quality from your smartphone.
Physical knobs and buttons provide quick access to all the manual exposure settings, or you can leave the camera on Auto to get an accurate exposure in most situations.
A new processor allows for better face detection, and provides snappier shooting and operation speeds than the previous model. 8fps (both JPEG and RAW) and accurate AF will make sure even fast-moving subjects can be captured with ease.
Whilst it lacks a viewfinder, the tilting LCD touchscreen on the G7 X Mark II is responsive and fast, and the menu easy to navigate. I love being able to tap menu items to select them, as well as being able to tap to focus and shoot.
Shooting in this way in conjunction with the tilting LCD screen, with the camera held at hip level allows for discrete photography and totally candid subjects.
As a unique feature to the Canon PowerShot G7 X Mark II, ‘Dual Sensing IS’ helps to reduce blur caused by camera shake. This is especially helpful when shooting at the 100mm end of the zoom, where even small camera movements can cause blur on other cameras.
The only small area of concern is battery life, which at around 265 shots per charge, lags a little behind its competitors – if you’re traveling or shooting a lot in a day, invest in one of these spare batteries.
If you’re lucky enough to find the Canon PowerShot G7 X Mark II for around $500, snap it up – despite the lack of an International warranty at this sale price, it’s a reliable, solidly built camera that won’t let you down.
Sensor Size: 1 inch
Dimensions: 0.8 x 1.4 x 3 in. (22 x 36 x 77.5 mm)
Weight: 240 g (8.46 oz.)
Yes… I’m writing this roundup of the best cameras under $500 in 2019, and yes this Sony RX100 was released in 2012 – get over it! Cameras don’t need to be the very latest to be great at what they do!
If you’ve only got 500 bucks to spend, ignore the more recent versions of this camera and stick with the one that rewrote the rule book for what is capable with a compact camera.
The Sony RX100 was the first camera to put a 1″ sensor into a camera you can slip into your back pocket. Whilst a 1″ sensor is smaller than an MFT and APS-C sensor, it still offers imaging performance that’s unrivaled among other compact cameras.
Check the latest price of the Sony RX100, as last time I checked, it was the cheapest 1″ sensor compact camera on the market. This makes it a great option if you’ve only got $500 to spend, but still want a camera with you at all times (that’s much better than your smartphone).
I don’t care if you have the latest iPhone or Pixel smartphones – the Sony RX100 will wipe the floor with them!
The 20.2MP sensor coupled with the 28-100mm f/1.8-4.9 zoom lens (3.6x zoom) is all you’ll ever need for most situations.
Shooting at an aperture of f/1.8 means that you can capture candid shots in low light without having to resort to flash, and if you’re close enough to your subject, you can get that coveted blurred background look too.
The Sony RX100 is a great camera for a beginner with a simple, effective AUTO mode, but it also offers full manual controls for those who wish to learn. I highly recommend you take your camera off the automatic modes as soon as possible, so you can learn how to be more creative with your exposure settings.
Face recognition and 10 fps (!) will ensure you don’t miss your shot, and typical of Sony, the movie functionality is second to none at this price point.
JPEG and RAW image quality is great, and much better than you’d typically expect from a pocketable camera of this size.
The lack of dynamic range is consistent with its 1″ sensor size, but the Sony RX100 does a good job at nailing exposure and white balance, so there’s not much need for post production.
You could shoot this camera in JPEG all day, and never have to worry about sitting in front of the computer editing the photos – the image quality is that good.
If you need the smallest possible camera with decent image quality, the Sony RX100 is a good bet. Although it’s getting a little long in the tooth compared to the more modern mirrorless cameras in this list, it’s still a camera with some amazing features, and one you can keep comfortably in your back pocket all day long.
I hope this guide has helped you in your quest for a great camera that doesn’t break the bank.
While a budget of around $500 may not have been enough to get a decent camera a few years back, thanks to advances in technology and the drop in relative material prices, it’s now possible for photographers to pick up amazing products while still remaining on a tight budget.
Once you have one of the camera bodies on this list, you can either stick with the included kit lens, or invest a little more on something with a larger aperture (a ‘faster’ lens). This will be the single most effective way in getting every last detail out of your camera.
Faster lenses also allow you to shoot at lower ISOs, which can mean much ‘cleaner’ images in low light, where typically cameras of this price point struggle.
Whatever the case, as long as you have a camera with a lens attached to the front, you’re good to go! Now get out and start shooting ;-)
Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. The products in this post contain affiliate links which help support Shotkit.