Sean Sheridan

When I bought my first camera, I had the store clerk put three bodies on the counter: a Pentax, a Canon and a Nikon. I liked how the Nikon felt in my hand–weighty, beautiful, and rugged. That was it. I didn’t know a lick more than how it felt. I have never looked back or wanted (too badly at least) to switch platforms, and those adjectives have over time become synonymous with some of the words people use to describe my work.

I use my gear–or rather use it up–in the pursuit to go deep into the craft of making images that embody the life I see in the most rugged places in the world. The gear basically gets trashed. But I suppose that is what it is for, isn’t it? Not to sit on a shelf and look awesome, but to produce awesomely. I can’t take too much credit in this process, however. People send me to far off places to meet some of the most amazing folks on the planet, and ultimately it’s access to those places and people that allow me to literally feel that camera in my hand and that magic in the scene. Thank you kindly, anonymous store clerk.

For the last dozen or so years I’ve been traipsing the globe helping give voice to those who don’t have a voice loud enough to be heard on their own. This makes me a “crisis” photographer and a guy who believes deeply in the power of a single image.

To get that, I am constantly trying out different bags and lenses and cameras, but for the last few years my gear has been going into a canvas and leather Belstaff bag, and I reach for my Nikon D4 camera with a Nikon 35mm f/1.4 lens the vast majority of the time.

I still really like to shoot my Nikon F5 film camera (using Kodak Tri-X 400 or Portra 400 films) but man, that camera doesn’t get called on much by my clients these days (much to my chagrin).

I also am a firm believer in a good quality headband and some ND filters as where I normally shoot is hot and bright. Oh, and some decent RayBans.

My other lenses that I call on are the Nikon 50mm f/1.4, Nikon 85mm f/1.4 and Nikon 70-200mm f/2.8 although they don’t get as much use as I like—and need—to travel light. I also own a Nikon 24-70mm f/2.8 lens but am a big fan of prime lenses, so these zooms don’t get lots of use.

Whatever the mix of gear, clothing, or bags, one thing stays the same for me: I look for moments of unguarded human emotion and then snap the shutter. And that, my friends, is something that can change the world.

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  1. William Williams on June 1, 2016 at 11:15 am

    Excellent! Love your work. What kind of bag is this in the photo?

  2. Edwin Areo on May 10, 2014 at 8:51 pm

    You’ve shot in the Philippines! Thanks for placing the Philippines as one of those photos in the slider above. Even though it is a tragic scene, you placed us in your map. Thanks!

  3. Gauthier on April 30, 2014 at 5:31 am

    Hey Mark,

    I have the Sigma 35mm 1.4 but I’m not used to it because I shot travel photography with my 85mm before. You say the 35mm 1.4 is your main lens. Is it because you shot a lot with it ? Or something else ?

    • Mark on April 30, 2014 at 1:42 pm

      Hey Gauthier – not sure if you’re asking me (Mark) or Sean?! Personally, 35mm is the most versatile focal length so it’s a no brainer.

      • Gauthier on April 30, 2014 at 7:18 pm

        My bad, I was asking Sean :)

  4. Bokeh Monk on April 26, 2014 at 11:44 pm

    I’d love to hear you do a hands-on review of the new 58mm Nikkor . . . I have that same philosophy ‘equipment is MEANT to be used’ not admired. Thanks.

    • Mark on April 27, 2014 at 5:07 pm
    • Sean Sheridan on April 28, 2014 at 2:29 pm

      Mark–I’ve not yet used it. I know people like the lens, and I have been meaning to get Nikon to send me one to try out. The 50mm is not a focal length I use very much (I use the 85mm quite a bit) so I just haven’t been clamoring to try it out. Tell you what, when I do get my hands on one and use it in the field, I will post something about how it worked for me–


  5. Sean Sheridan on April 25, 2014 at 11:19 pm

    Nicely done Mark!

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