I’d have laughed if someone told me I’d one day run a newborn portrait studio – it was never on the cards. I love travelling and that’s where I learnt my camera skills, the thought of posing and directing someone filled me with dread.
And then I had a baby and discovered a whole new genre, a tiny person I could pose myself.
I’m a massive advocate of mirrorless cameras, I bought my first Fujifilm mirrorless back in 2013 and haven’t looked back.
Shooting exclusively with the brand and teaching workshops led me to be invited to become an official Fujifilm X-Photographer alongside being an Elinchrom Lighting Ambassador. I’m now in the very fortunate position of being able to travel the world teaching photographers.
Currently, I’m shooting with the new Fujifilm XT3.
I use a mixture of lenses as I like to vary them to keep my work feeling fresh, so I will often swap between my prime and zoom lenses.
Finally, I have a Fujifilm X100F which serves as both my back up camera and the one I carry everywhere for personal use.
There were several reasons for changing over to a mirrorless system. When I became a photographer and starting using full-frame DSLRs and lenses for work I realised that I had stopped using my kit for my personal photos of my children. Everything had become mobile phone shots, and this is when phone cameras were pretty rubbish.
I bought the Fujifilm X100s as a personal camera, a beautiful mirrorless with a fixed lens, and it was wonderful! The lightweight system was very freeing and the file quality and colours were excellent.
It wasn’t long until I decided to sell all my studio kit and buy into the Fujifilm XT system.
The lack of weight was a big factor and the smaller size felt better too. I also loved the colour profiles that were included within the Fujifilm system. My editing time reduced dramatically as the SOOC files were looking so good.
I did look at a few different mirrorless systems before I invested, and I decided that I much preferred the dials of the Fujifilm cameras. They feel more old school and were similar to my old film Minolta that I learnt on.
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Some of the other brands were more menu-based and that puts me off; I want to be able to adjust everything with my fingertips whilst not taking my eye away from the subject I’m shooting.
There are so many things I can do with a mirrorless that I couldn’t do before. Due to the lighter weight I can shoot one-handed, so I can be settling a newborn baby with one hand and can frame the shot with the other, just moving my hand out the way for a split second.
I can also preview the film simulations in the electronic viewfinder. If you’ve never tried this before, you need to!
I can select a lovely soft profile such as Astia which helps gives my babies a soft creamy skin tone and a great warm white balance, or I can set it to BW for my maternity portraits and view in black and white live as I compose the shot.
I do also make use of the tilt screen a lot, and with the touchscreen I can select the focal point and take the image too.
Being able to view your exact exposure is an added benefit on the occasions that I work with daylight or continuous light, there’s no guesswork and you see exactly what you’ll get. This is especially useful when using the camera for any video work as well.
Another advantage is the silent shutter, when working closely with babies it’s nice to have a silent camera so they aren’t disturbed, and with toddlers I use the LCD to view them so I can maintain eye contact with them.
I do think my younger clients find the smaller camera a lot less intimidating.
Looking ahead I’m planning on making more use of the XT3s excellent video capabilities, which I found surprisingly easy to use with the electronic viewfinder.
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A large supply of hats, wraps and baby wipes